18 February 1995
In February (and probably a few months prior), I took part in illustrating several children's stories for local publisher, Christian Schools International (they were associated with Christian Home & School, a magazine I had been working for during the past year). There were four volumes, if I remember correctly, and my art graced the cover of one of them (pictured to the left). Several stories in each volume featured illustrations by me, but I was only one of many illustrators hired to fill the pages of this book. I've since misplaced all the artwork for these (if they were ever returned, I don't remember), and I used to have copies of the books, but I seem to have mislaid them as well.
Amazingly, these are still in print, and available (for a hefty sum) from the publisher (link here)
Also, over January and February I gained a few new clients; Home Office Computing and Writer's Digest.
13 February 1995
After 6 years of doing inside story work for Cricket magazine, I finally got a cover shot for them early in '95. An interesting layout, but I'm not crazy about the technique I used. I tried to mix acrylic paints and scratchboard as a way of showing some depth of field and lighten up the colors for a brighter cover (despite the night-time scene). I continued regularly contributing to the inside of the magazine for several years afterwards and got another chance at a cover assignment over ten years later (I think I did much better the second time).
I also had a trio of spots this month for Marriage Partnership (Christianity Today). These were a semi-regular affair, and usually involved stories related to 'men's lifestyles'. The top one was something to do with a survey of women who would prefer a husband who looks like Danny DeVito but who does the dishes, over a man who looks like Robert Redford. I forget the topics of the other two. These were a little different in style from either my usual scratchboard, or cartoon style, I guess you would call this my 'fallback caricature style', almost cartoon, but a bit more refined and controlled. (and done with a rapideograph pen as opposed to the brush and ink I used in the cartoons)